Bond Reviews
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List price: $26.95 (that's 30% off!)

A fine piece of work
Fun reading, great reference
Bonds finally make sense! Thank you!

more than a book
This book can change your life; it did mine.
Natural Eating : Eating in Harmony with Our Genetic ProgrammA book like this is always going to raise some hackles and send
others into denial. Such a case is an earlier review by Stephen Byrnes. He has fallen into a number of classic errors including that of thinking that, just because milk is right for babies, it is also right for weaned humans.
The reality is that babies have different digestive arrangements, different biochemistry - and different nutritional needs, particularly while they are building brains.
If milk is so marevllous why do we gain weight on it? why do some folk have out and out allergies and cannot assimilate dairy products of any sort? this book at least approaches this scientifically, but is explained in laymans terms. Go ahead, change your life!


A great book, but heavy on the dinghy sailing side
awsome book
You must buy this book!
List price: $80.00 (that's 30% off!)

Badly needs updating & poorly executedfacet of sector rotation or how to intrepret this book into a meaningful stock play. Murphy in this book does not even hint at it, thus allot of this information is not truly useful. The concept is superb but the execution quite flawed.
Instead get the other Murphy book:Technical Analysis of the Financial Markets: A Comprehensive Guide to Trading Methods and Applications OR Martin Pring's new edition to his updated Complete Technical Analysis. Which one you get really depends on how much you already know or your personal preference. Funnily his video on this topic DOES update the book and cover Sector Rotation so Murphy obviously is aware of the oversight.
This book is boring with no payoff. Murphy writes better elsewhere and this topic is covered better elsewhere too.
Covers insights many miss
THIS BOOK WILL EXPLAIN YOU HOW MARKETS REALLY WORK

For a true friend
A Wonderful Bridesmaids Gift
Dear, Sweet, & Beautiful_Girlfriends_ is a collection of stories that explore and celebrate female friendship through the eyes, ears, and hearts of everyday women. Some of the women were friends for a lifetime, others for a short time. However, all understood and/or demonstrated the meaning of "true friendship." For example, the stories included everything from the thankful musings of a once-ill woman about the extraordinaty kindness of her girlfriends to a giggly account of how two eerily-simiar best friends met as assigned roomates their first day of college. (The latter tale struck very close to home in a wonderfully spooky way.)
While many of the stories tugged at the heartstrings, I never felt manipulated by the authors. (Note: Part of the reason why I don't like the "Chicken Soup for the Soul" series is that I feel that the authors are just dying to make the reader clutch for the box of tissues.) Rather, I appreciated the "real" tone of the stories, as they read like good conversation shared over a nice pot of Hazlenut coffee.
Some readers have commented on the book's simple language and lack of depth. I don't think the goal here was to explore the psychology of friendship, rather I think it was intended to be a simple and beautiful celebration meant to be enjoyed by "Girlfriends" everywhere. Enjoy!


Intense Romnce
Show And Tell-Laney and Dallasfavorite scene with laney-
when she lets that girl work for her dad. she was turning her away because of how she dressed, and suddenly realized she can't judge someone by their dress.
favorite scene with dallas-
finally stands up for himself about the tiles. i hope that guy divorces his wife. :)
favorite scene with laney and dallas together-
in the dark auditorium when he asks her to show him. that was hot. i was afraid someone would walk in. damn punch. :)
order of favorite of the whole anthology:
show and tell
mystery lover
after hours
Searing! Very highly recommended

Disappointing
Immediate Results
Your "Bond girl" will thank you for buying this!Paul Kyriazi has taken the idea of living every man's dream and shown how to do it. Starting today!
Just by flipping through the book and taking one idea, you will dramatically improve your current lifestyle.
And you will find yourself taking it all inside as you now become even more interested in living the James Bond lifestyle.
Also check out the Clearing the Subconscious tape. This is a perfect item to accompany the seminar and will even help you start right away to live the lifestyle that you now reach for.


Bond works better in novels than short storiesFor Your Eyes Only, a compiliation of James Bond short stories, doesn't work. It is best read by Bond fans who either want to read all the books in chronological order (however, there is no continuity between this book and the others, so that hardly matters), or Bond fans who want to say they read every Bond story Fleming published. But it is not very good. The book includes the following short stories:
"From a View to a Kill"
"From a View to a Kill" is possibly the shortest of all James Bond stories. As such it is hardly developed and doesn't leave much impact. It is hardly worth considering as a story, but rather as Ian Fleming's scratch pad. Considered in this way the story is interesting for some of its elements.
Fleming is at his best when describing Bond's meals and drinks. "From a View to a Kill" contains an obligatory meal scene that works especially well. Fleming not only describes food and drink in exacting detail, but manages to turn these descriptions into commentaries on the culture and society of the meals' location. This time Anglo-centric unleashes his opinions on has-been post-war Paris. In the process he manages to reveal some interesting background points about Bond's early life. But all this quickly evaporates into more of an action/detective in which Bond investigates a murder.
Fleming's stories usually include a point during which a plot or a scheme is revealed to be bigger than it first appeared. Bond discovers what he suspected to be the case, that the murder was an assassination by unearthing a hidden underground base of sorts. The logic of this thing's existence and purpose are hardly believable, but the gadgetry of the place is interesting because it is a step beyond what had been typical for Fleming up to this point. Indeed, the rose-periscope and bush-door seem more like something out of the Roger Moore Bond movies, still years away. It is worth noting that "From a View to a Kill" has nothing at all in common with the Roger Moore movie, A VIEW TO A KILL, other than the name and the setting in France.
"From a View to a Kill" is too short to skip, but it ultimately isn't very satisfying.
"For Your Eyes Only"
After re-reading the second short story in FOR YOUR EYES ONLY (also titled, "For Your Eyes Only," I reached the conclusion that James Bond works much better in novels than in short stories. This is in part because this short story, much as the last one, left me wonder why I was reading it. While the story had action, it lacked the type of suspense, plot development, and surprise endings that move the Bond novels along. Also, that I had completely forgotten most of this story from my first reading of it many years ago was telling. "For Your Eyes Only" is more of a story than From A View to a Kill," but it is still a scratch pad of sorts, interesting more for ancillary reasons than for the story itself.
Still, these ancillary reasons are worth mentioning. Bond's job is never more illicit than in this story. He is sent to commit an assassination more or less as a personal favor for his boss, not as an official governmental act. He struggles with this a bit, and a different type of writer could have made more out of that struggle than Fleming does. But he trudges along to carry out his assignment. This story, perhaps more than any of the novels, establishes Bond as a "cold blooded killer."
One of the features of Bond stories that I enjoy is their 1950's setting. Fleming wrote from the 50's, obviously without any knowledge of how the future would unfold or how his time and thought process would be viewed years after he committed them to paper. The alieness of all of this is stark in "For Your Eyes Only." The target of Bond's assassination attempt is a former Nazi, who had recently been inn the employ of Cuba's dictator, Battista. Battista was still in power when Fleming was writing, and Castro is mentioned not only sympathetically, but as an admirable quasi-ally. He certainly isn't one of the Communists under just about every bush Bond looks under in most of the novels.
Neither the Nazi origins of the villain, Von Hammerstein, or even the villain's name, ever make it into any of the Bond films. But much of this short story does. For such a weak story, I was interested that most of it made it into the movie version of FOR YOUR EYES ONLY. The movie was bigger, and the short story really comprised about a quarter of the film, but I was reminded once again that some of the Bond films improved upon the stories rather than just borrowing the names.
"Quantum of Solace"
"Quantum of Solace" is only superficially a James Bond story. Oddly, then, it is the most interesting and compelling at least of the first three stories in FOR YOUR EYES ONLY. Bond is in Jamaica on assignment, but the story is not about the assignment. In this one, Bond mostly listens to a story within the story, told by the colonial governor of Jamaica, with whom he had just had dinner. This story within the story is the thrust of "Quantum of Solace." It has nothing to do with espionage, action, or adventure. Rather, it is a brief tale about a failed relationship. That's it. Somehow Fleming manages to make it interesting. I was wondering where the story was going and was caught off guard by its mild, but unexpected surprise ending. In this regard, Fleming achieves on a small level some of what he otherwise better captures through novels than short stories. While "Quantum" has little to do with Bond (or, more accurately, Bond has little to do in Quantum), it is the most enjoyable story so far in this collection.
"Risco"
A good portion of the plot of the movie, For Your Eyes Only, is taken from this short story. After reading this and the short story version of FYEO, I came to a greater appreciation of the movie-maker's desire to blend the two stories together into a coherent one that remains as faithful as could be hoped to a couple of short stories.
"Risco" plays out the Kristatos-Columbo rivalry around which the plot of the movie turns. Of all the short stories in this book it is the one that most resembles the previous Bond novels. It involves a mission to a foreign land, colorful characters, a devious villain with vague ties to Russia, and in Columbo, an ally somewhat reminiscent of Karim Bey in From Russia with Love. Nevertheless, "Risco" is not as good as any of the previous books, probably in part because it is not developed like a full novel. Also, not for the first time, while reading it I felt that the moviemakers did this story better. I was actually somewhat bored reading it.
There are no great surprises in "Risco," perhaps because we all know Kristatos, not Columbo, is the real villain. Nothing special is revealed about Bond's past or his predilections. As with most of the rest of the short stories in this compellation, "Risco" seems more like the outline of a story than a complete work.
"The Hildebrand Rarity"
After being worked over by the somewhat boring "Risco," "The Hildebrand Rarity" delivers the knockout punch. For Your Eyes Only saves the worst for last. It is significant to note that very little of this short story made its way into any Bond movie to day. "Milton Krest," the character that passes for a villain in this one, and his boat, The Wavekrest, appear in the movie, License to Kill, but only in name. The story of "The Hildebrand Rarity" is lost in the final pages of this book.
"The Hildebrand Rarity" contains one of the worst elements of Bond stories: Bond is basically an observer of events here. How and why he ends up in the situation of the story, which has nothing to do with spying or even government work, is murky at best. The story is basically a reverse mystery, a Murder on the Orient Express set on a ship, with an all-too-easy search for a rare fish thrown in, and one twist. Fleming's twists are usually the capstones to his Bond novels, but here the twist is that the mystery is never solved. Indeed, the build up to the crime is too long, and the aftermath is wholly inadequate. It is almost as if Fleming got tired of this story and just put it down. I did too.
Five stories, only three of which are really about 007In "For Your Eyes Only", Bond enters highly murky waters by taking a more or less personal assignment from M to track down the killers of an old friend. It's a highly topical late '50s piece, involving a former Nazi as mastermind, and henchmen drawn from the ranks of Cuban dictator Battista. Interestingly (in hindsight), Bond expresses real sympathy with the rebel Castro's struggle! To act as M's executioner, Bond must travel to Canada and then sneak across the US border to operate in Vermont, which is kind of interesting. Things take a turn for the ridiculous when he stumbles across another revenge seeker, wielding a bow and arrow. The middle story, "Quantum of Solace" isn't a Bond story at all. Rather, it's a story of disaffected marriage told to Bond by his host after a rather boring dinner party. It's actually quite good, but has nothing to do with Bond.
"Risico" takes Bond back to action, and places him in Rome, where he is assigned to disrupt the flow of heroin into England. Fleming creates a rather prescient version of "The War on Drugs" by directing Bond to act against the insidious enemy of drugs. It's a classic Bond story in that Bond is easily duped, meets a pretty woman, meets an unlikely ally, and engages in near fatal gunplay. (And of course, at the end, the drug pipeline to England is all a nasty Soviet plot.) The final story, "The Hildebrand Rarity", is again, barely a Bond story-reducing him to observer status. He's not really on the job, but instead inexplicably agrees to hire himself out as a fishing expert in the Seychelles. Basically, he's just there as an audience for another marriage-gone-sour story. There is a villain, there is a murder, but Bond's not really a central character in it. The only real purpose to the story seems to be to allow Fleming to work out his own issues vis-à-vis American millionaires.
On the whole, these stories don't add much to the Bond canon. It would have been more interesting had Fleming chose to give us a taste of Bond's action in the Ardennes in WWII, or of the two assignments that led to his 00 designation (both of which are mentioned in Casino Royale). Still, the first story is worth a quick read, and "For Your Eyes Only" and "Risico" will be of interest to those who love the film versions.
Five secret moments in Bond's life

Loosing steam?But this title lacks some of the sparkle and mischevious charm that made the moose and the pig and the original mouse such lovable characters. It comes across as a bit uninspired, there's no crazy, yet logical, sequence to follow, just a series of interesting spreads of our mouse showing off his amazing skills. Skateboarding... whee. Basketball... whee. So what?
The giggle that builds to a crescendo as you near the end of the other books is missing here, leaving you... wanting. So, it's back to muffins and pancakes and cookies for us.
cute characters, fun and lively illustrations
This Mouse is great!!
Your discussion of the pros and cons of the various types of bonds as well as the tax consequences of each provides valuable infomation for investors interested in this market. Also, your extensive list of web sites is an excellent research tool for anyone wishing to pursue the subject at length on his own.
Congratulations on a fine peice of work.
Lucille F.