Bond Reviews
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Life Doesn't End When Your Contract's Up
Excellent- Entertaining
The best autobiography of the Little Rascals
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the english man with indian blend of literature
A good man......a great writer
A must read for those dreamy typesHis style of writing and his stories clearly show the Indian in him. On the whole, reading this book was a very satisfying experience.

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A Strong Buy....
Best guide to contemporary finance
Oustanding!
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Delightful, Delightful, Delightful!
There are 2 books by Rebecca Bond we own and enjoy...
excellent book for reading to young children
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Beautifully told and illustrated
Legend of the Valentine
For thinking readers tired of the trite and the cliche
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5/5From the start, Chapman's meticulous, comprehensive study of these films is presented in an objective and refreshing manner. Chapman immediately sets the tone for the book, arguing that the viewer needs to look beyond the fantastic scenarios and hedonistic nature of Bond's life in order to grasp the real meanings of these films -- that is, that they nostalgically represent Great Britain's global strength during an actual period of decline. Chapman goes on to discuss the various film genres (spy thrillers, cliffhangers, action movies) that have been hybridized into the "Bondian" formula, and goes on to show that the Bond films themselves, despite borrowing upon other formulas, have actually developed their own ideology.
The most impressive aspect of Licence to Thrill is its comprehensiveness. Chapman places the Bond films in the context of film history, and by doing so, provides a larger framework by which to assess their cultural impact. He also examines the influence of other film genres on the Bond series; for example, the influence of the "blaxploitation" movement of the early 70's on 1972's Live and Let Die, which features an unusually high proportion of black characters for a Bond film. The rest of the book concentrates on the Bond films themselves, grouping them according to theme and charting the development and evolution of the franchise.
Although Chapman clearly illustrates that the generic formula of these films is virtually designed to change with the British political climate, he also maintains that Bond's adventures are representative works of nostalgia for British imperialism and nationalism. For example, in discussing 1983's Octopussy, which is set largely in India, Chapman notes the numerous television series in Britain during the 1980's devoted to the former British colony and the abundance of works at the time analyzing Anglo-Indian relations. Other films are set against the contemporary British political mindset, such as 1981's For Your Eyes Only, which strongly references Thatcherism, and the end result is that we see the films in an entirely new light.
Enlightening, entertaining and thought provoking, this book is highly recommended for anyone who is serious about film. For the rabid Bond fan, it is simply indispensable.
Outstanding and breakthrough work of 007 scholarshipReleased this past spring by Columbia University Press, Licence to Thrill by James Chapman breaks new ground as an in-depth study of James Bond and lends credibility to addressing the 007 phenomenon in a scholarly manner. Chapman's introduction, 'Taking James Bond Seriously,' sets the tone for the work: this is not another fan guide to the behind-the-scene insights from the movies. As Chapman writes, the 'numerous books on the Bond films'all emanated from what might be termed the Bond fan culture rather than academia.' Arguing that one must look beyond 007's hedonistic male fantasy life in order to observe how his imaginary world nostalgically represents Great Britain's global strength as Empire and Cold Warrior during an actual period of decline, Chapman's meticulously researched and comprehensive critical study of James Bond is presented in an objective and refreshing manner.
Chapman's early discussion of various genres of film (British imperialist spy thriller, cliffhanger adventure serial, Hollywood action movie, etc.) and the nature of British cinema adequately provides the reader with the requisite knowledge necessary to understand the role of cinematography. Chapman allows proper transition so as to introduce his concept of the 'Bondian' genre ' that is, that the Bond films themselves, despite borrowing upon other formulas, have actually developed their own ideology. The most impressive aspect of Licence to Thrill is its comprehensive narrative. Despite an overabundance of facts (citing, for example, that Kingsley Amis himself argues that Bond is not a spy but is rather presented as a secret agent), quotes, and analyses, the book flows smoothly. That Chapman does not limit his analysis merely to Bond films but rather incorporates British and American films preceding them ' Bulldog Drummond (1929), Dick Barton ' Special Agent (1948), North by Northwest (1959) ' allows the reader to place Bond films within a larger framework. In doing so, Chapman's argument that the James Bond film series exemplifies the progression of spy thrillers films from B-movie to big-budget motion picture stature is soundly supported. Chapman also explores other film movements' impact upon the Bond series, particularly the 'blaxploitation' movement of the early 1970's (Live and Let Die, 1972) and the rise in popularity of kung-fu movies (The Man With the Golden Gun, 1974). Chapman illustrates that Stephen Spielberg's 1975 blockbuster, Jaws, inspired the creation of Bond's infamous seven feet two inch steel-toothed nemesis bearing the same name.
Having provided background in the broader subject of cinema, Chapman devotes the rest of his work to the actual Bond films themselves and groups them according to theme, the development and implementation of what he terms the 'Bond formula,' and, in some cases, the actor who portrays Agent 007. Although he clearly illustrates that the generic formula of the Bond films is quite malleable depending upon numerous political and cultural developments of the period, Chapman nonetheless maintains that the James Bond films serve as representative works of nostalgia for empire and British nationalism. In his discussion of Octopussy (1983) in which much of the action is set in India, for example, Chapman notes the numerous television series in Britain during the 1980's devoted to the former British colony and the abundance of works analyzing Anglo-Indian relations while other films, such as For Your Eyes Only (1981), reference Prime Minister Margaret Thatcher's 'Iron Lady' reputation.
Surveying all the Bond films from Dr. No (1962) to Tomorrow Never Dies (1997) ' including the comical Casino Royale (1967) and Never Say Never Again, the 1983 remake of Thunderball (1965) ' Chapman's Licence to Thrill is a definite must-read for any James Bond enthusiast. Enlightening and thought provoking, the book maintains the reader's interest throughout and documents the chronological progression of the longest and most successful film series to date. And while it will certainly not leave you 'shaken,' Licence to Thrill definitely 'stirs' interest.
Recommended for Bond fans & popular culture students.
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An unforgettable war novel
An excellent story of family and war
A TRULY EMOTIONAL HISTORICAL NOVEL.
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Country of Broken Stone= Ouija Board?
One of the most thought provoking books I've read!
I love it, I love it, I love it!
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Essiac-A Native Herbal Cancer Remedy
Straight Talk about Essiac
This is the best book I know for cancer challenges!
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GOOD STORIES BY PARENTS
Highly recommended for parents of autistic children.
living with autism, the parent's stories
First of all, I think the Little Rascals walk on water. Hundreds of years from now, some extraterrestial on the Moons of Jupiter with all z's and x's in his (its?) name will enjoy these short films as much as I did when I was growing up. They are universal in their appeal. We still haven't got to the point in our society that a Stymie, a Farina, or a Buckwheat can live next door to a Spanky, an Alfalfa, or a Butch. Hal Roach's Little Rascals were way ahead of their time.
Of course, we all know what happened. MGM bought Our Gang from Roach and trashed the whole concept. It was time to move on and -- like so many child stars -- turn to booze, drugs, or crime. But wait a minute! Butch escapes the cliche and turns to radio, film, and even TV. And he marries the Texas beauty queen and lives happily ever after. Bond has this talent for reinventing himself and going from one positive experience to the other.
Now who would have thought that the one member of the Little Rascals you should have grown up emulating was Butch the bully?
This is a book that is not only well written: It will make you feel good about life.