Bond Reviews
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Complete, no.
Same as the Sun J2EE Tutorial
A very good starting point.

Wow ! this is cheap !
diversification in fixed income portfolios
Outstanding and InnovativeAs the market becomes more transparenet and increasingly liquid, more asset managers will need book slike this to provide them the initial knowledge on how to make and manage the right bets in their portfolios.
I look forward to the next release which whould have more quantitative details around the credit markets.

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Why write if you don't have anything to say
Interesting
Incisive look at financial markets
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Small Boaters' DelightThis book is also about ingenuity in boat building and the special attributes of design that produced world famous boats. The Adirondack Guideboat, the St. Lawrence River Skiff, and the vast assortment of canoes designed by Henry Rushton not only filled special needs but also changed how people perceived and enjoyed the Adirondacks. She traces the evolution of canoes, the co-mingling of canoes and kayaks, the emergence of Guideboats and assorted craft, each used for pragmatic purposes, then changed as people changed. In many ways this is a cultural history,as much about people as about boats. Yet it includes innumerable photos and illustrations that suggest these builders were also artists and surely supperb craftsmen.
She takes advantage of the Museum's remarkable collection of boats and boating art, and provides a fun and engrossing pictorial narrative. Her book is as fun to browse as it is to read, and it's all handsomely put together. I've read a lot of books about boats, but this may be the best I've ever read.
Five Star Effortmost unusual boating regions. Her grasp of boating, the North Country woods, the life of Adirondack
guides, and the evolution of boat designs provides an entertaining yet immensely informative tapestry.
Bond is a scholar and curator of boats at the Adirondack Museum, but she writes with a journalist's
ease. Her eye for detail, her control of narrative, her insights into countless eccentric characters, and
her love for the North woods all contribute to a compelling story about a changing, evolving culture.
This book is also about ingenuity in boat building and the special attributes of design that produced
world famous boats. The Adirondack Guideboat, the St. Lawrence River Skiff, and the vast
assortment of canoes designed by Henry Rushton not only filled special needs but also changed how
people perceived and enjoyed the Adirondacks. She traces the evolution of canoes, the co-mingling of
canoes and kayaks, the emergence of Guideboats and assorted craft, each used for pragmatic
purposes, then changed as people changed. In many ways this is a cultural history,as much about
people as about boats. Yet it includes innumerable photos and illustrations that suggest these builders
were also artists and surely supperb craftsmen.
She takes advantage of the Museum's remarkable collection of boats and boating art, and provides a
fun and engrossing pictorial narrative. Her book is as fun to browse as it is to read, and it's all
handsomely put together. I've read a lot of books about boats, but this may be the best I've ever read.

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Bond Films; A ReviewEach film has a standard set of sections devoted to it, which are all discussed in the books introduction. Some of these sections include information on fashion decisions in the films, the advancements of particular continuing characters including M and Miss Moneypenny, the box office returns for the films, award nominations and film trivia. The most interesting sections, and those which make this a successful book, are those which discuss scenes cut from the film, source to screen information, real world influences and parallels, product placement details, critics responses to the film and social references in the film. It is the latter which may prove to be the most interesting to Bond fans as they summarise information which hasn't previously been made readily available.
Despite some 'gem' sections there are two which could easily have been left out. The first is 'quotes', everyone enjoys particular quotes for varying reasons and it seems unnecessary for the authors to attempt to define which are the best of a particular film. Also unnecessary is a section called 'The One With'; a section that informs you how to remind a friend which film you mean. For instance, The Living Daylights is given as "The One With: the rock of Gibraltar, the milkman and the cello". Some may find the section interesting, the 'hardcore' Bond fan will find it a statement of the obvious.
It is obvious that a lot of work has gone into summarising material to include in the book, particularly for some of the aforementioned sections.
It's good to see areas dedicated to the majority of Bond films, Never Say Never Again included. While 1967's Casino Royale is included in the book it is disappointing to see that the 1954 version of the book is not. While, admittedly, it was only a telemovie it is undoubtedly an important part in the history of the cinematic James Bond.
Bond Films, co-authored by Jim Smith and Stephen Lavington, isn't the best Bond book ever, but it's obvious that the authors never intended for it to be. They had an intention from the start, stuck to it and in doing so successful created an interesting source of information.
A good book but with some howlersAnother flawed discussion occurs when the authors claim that DIAMONDS ARE FOREVER "was very much ahead of its time" because "the idea of space-based lasers was not seriously mooted until US President Ronald Reagan's 'star wars' program of the 1980s" (p. 114). In fact, space-based weaponry was the subject of international diplomacy well before the 1980s--it was even covered by a 1972 arms treaty. Another space-related error occurs when the authors give the wrong year for the first space shuttle mission.
The book takes a decidedly rose-tinted view of Timothy Dalton's box office performance. You would not know from this book, for example, that all of Roger Moore's 1980s Bond pictures scored higher US admissions than either of Dalton's films. More generally, the authors take a scattergun approach to the reporting of box-office results, sometimes reporting world grosses, sometimes only US grosses. Moreover, for both OCTOPUSSY and NEVER SAY NEVER AGAIN, box office rentals are incorrectly given as box office grosses. Many of the other box office comparisons in the book are misleading because of the failure to adjust for inflation.
As far as the reviews themselves are concerned, I was pleasantly surprised to see some kind words said about A VIEW TO A KILL and some reservations about GOLDFINGER. Otherwise, the reviews report quite conventional views about the films; indeed, the opinions expressed here about the first eleven movies are virtually interchangeable with those in John Brosnan's classic book on the Bond series. Sometimes the influence of previous books, while understandable, is TOO intrusive. For example, Barnes and Hearn's judgement on THE SPY WHO LOVED ME in their book KISS KISS BANG BANG was that it was "a slick...'greatest-hits' package" (page 129 of 1997 edition); Smith and Lavington's judgement on the same film is: "A slick, pacy 'greatest hits' package" (page 154).
There are numerous misquotations from the films as well as misspellings of names of characters, cast members, and historical figures. Most of these errors are minor but avoidable. On other issues, such as the running time of ON HER MAJESTY'S SECRET SERVICE and how many of the Bond films are solo-scripted, the book's errors are more serious.
The Moore films are repeatedly criticised for making the James Bond character well-known throughout the world rather than a secret agent, ignoring the precedent for this in two Connery Bonds--Bond made the papers in YOU ONLY LIVE TWICE and was world-famous in DIAMONDS ARE FOREVER. (Barnes and Hearn's book on the Bond films was also guilty of this double standard.) Other inconsistencies appear to be a by-product of the book being written over a long period. For example, page 33 claims that "throughout" the Bond film series, Soviets were never Bond's main enemy--ignoring FOR YOUR EYES ONLY, which is acknowledged on page 176 as a film where the main villains are Soviet-backed. And the statement on page 177 that "politicians had been either anonymous or not obviously based on any one person" in the films before FOR YOUR EYES ONLY seems at odds with the authors' own account of the conclusion of GOLDFINGER: "[the] plane Bond is taking to meet President Johnson..." (page 41).

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Boring
Clear-sighted, relevant and practicalWith that incentive, Prof. McKay invites us to join him on a journey from before time began, through history, and into eternity, tracing the outworkings of God's love for mankind as it is expressed in his gracious promise to save sinners.
This book is like a mini library on a vast array of topics. It starts with delving into the nature of God himself and moves through to a conclusion with the triumph of Christ's Kingdom and a look at the new heavens and earth. Throughout, the practical usefulness of covenant theology (or how we relate to God, and He to us) is brought to bear on a huge range of issues, from biblical issues like election, sanctification and the sacraments, to current issues such as feminism, New Age Movement and evolution. In doing so, Prof. McKay provides readers with the biblical tools to understand these many topics.
But this book is no cold academic exercise in some obscure area of Christian thinking. This is the very heart of our relationship with God. And it is a warm, living, beating, pulsating heart - the unfathomable mystery of God's love for unworthy sinners. Such a topic will inevitably stretch our finite minds. But if you are prepared to have your mind stretched, you will be greatly rewarded as you delve into this great subject.
Prof. McKay combines clarity, incisive thinking and warm practical application. As well as coming to a clearer understanding of many topics, I found myself with much material to deepen and enrich my own devotional times. He has a gift not only for anticipating and answering your questions or objections, but doing so in such a way as to fit it all into the whole framework of scripture.
This is a book to be read and studied carefully. A great reference tool and an essential part of the Christian's library.

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Bond's Franchise Guide
One of the best books if you're looking to buy a franchise.
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A very dry piece of writing
Remember the Subject
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Family Bonds
Compassionate ideas
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Dysfunctional Families
What's with That? Great book!
1. The J2EE SDK is not included on the CD. The J2SE SDK is. Why?
2. The installation instructions are for three different OSs. They are jumbled, rather than covering one OS and going to the next. It's a mess.
3. Path length limitations for Windows 2000 are not addressed. Follow their directions for the JAVA_HOME path and you get nothing, unless you are very lucky. Granted the book is not about windows but the installation instructions should be correct and complete.
Maybe the content will get better but if you can't get there then what good is it. Just get a reference manual.