Racing Reviews
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Competitors pit-pass; Step one.
A wealth of informationThe book covers all aspects related to building and modifying a sports car and does so in reasonable depth. I did find that I will need other references where I want detailed information about a specific topic. For example, the sections on suspension are clear and offer good information and are sufficient to get you started with whatever project you have in mind. However, if one really wants to get down into the gritty mathematical details of designing suspension then a second reference specifically on that topic would be needed.
As a book to highlight all that is important in building a fast sports or race car, I recommend the book whole heartedly.

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Finding the perfect compromise between theory and practice.
Extremely informative, a must read for any race car crew.
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A Job Well-Done...Reading the book not only takes the reader on a season journey-it also compels the reader to think about the difficult project Poole faced as an author. Given the deaths of Allison and Kulwicki in 1992, Poole's primary sources are obviously not accounts from these racing legends, but other first-hand versions constructed through interviews with some of the sport's well-known staples, such as Larry McReynolds, Bill Davis, Ty Norris, Wayne Estes, Michael Kranefuss, Benny Parsons, Jim Hunter, Monte Dutton, and Deb Williams. Poole does an outstanding job recreating the past from the present by situating the reader as an inside spectator-the book allows readers to imaginatively glimpse the personal dramas facing the teams and drivers. By far, the most successful part of Poole's project is the writing itself, as he obviously gave thoughtful consideration to the process of reading-he allows the reader to comfortably envision and imagine what must have been going on in the minds of Kulwicki and Tom Roberts (Kulwicki's PR agent) as the season unfolded. Poole is a gifted storyteller, as he also provides remarkable accounts of several races over the year, and literally allows readers to imagine themselves "being there" listening to drivers' radios, conversations between crew chiefs and drivers, and press conferences throughout the year.
This book is an excellent read-not only for the seasoned NASCAR fan, but those who are just entering the sport in search of historical background. As an anthropologist currently on tour with the NASCAR circuit, I have found this book to be one of my favorite reads this year, and see myself using it not only as a historical reference point, but for understanding how narratives of NASCAR can be successfully inscribed between the covers.
NASCAR's changing of the guard
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Informative and Enjoyable ReadSome of Von Borries's stories are not stories. Instead, one is a list of humorous horseracing expressions and another a two-page glossary of horseracing terms. Yet another is a catalog of 100 horseracing films, including Von Borries's top ten and ten more given honorable mention, and another is a list of black horsemen and the Triple-Crown races they have won as either jockeys or trainers. In several tributes, Von Borries introduces his protagonist with background data before getting to his horseracing feats. For example, in "The Wizard of Orleans," about horseracing photographer Louis Nevin Hodges, Sr., Von Borries tells us early that Hodges, age 70, is mild mannered, represents goodness, but is not ordinary. Further, he tempts us when he tells of his visit to Hodges's den, "lined with pictures of the most famous racehorses in American racing history, a mere sample of what passed through his lens from the late 1940s to the early 1980s" (44). By the time Von Borries finishes his pre-story buildup, we want to know how Hodges achieved horseracing fame between the late 1940s and early 1980s, and the author does not disappoint. But don't expect detail. Von Borries's short stories provide only biographical sketches with the brunt of his coverage related to his subject's major achievements in the world of horseracing. Background buildup is a strategy employed often and successfully by Von Borries.
Another strategy Von Borries employs, even if unwittingly, is to explore the variety of horseracing history. His essay, "War and Peace," is about how Civil War Union General Philip Henry Sheridan, the first president of old Washington Park Racetrack in Chicago, helped limit the devastating Chicago fire of 1871 with fire breaks. The horse industry's tribute was to name a race, the Sheridan Stakes, after the general in 1884. The race has been an annual event since. Von Borries also includes several biographical sketches of black horsemen prominent in the late 19th- and early 20th-century. "Cruising Past 7,000 and Climbing" furnishes biographical sketches of eleven trainers with 3,000 or more wins to their credit, and "Giant: Cigar's Win streak" includes capsule histories of the 23 American thoroughbreds with the longest winning streaks dating back to the 18th century. If there is a weakness in Von Borries's enjoyable writing, it lies in the sameness and overzealous nature of his tributes. For example, when the standardbred, Niatross, broke the one mile pacing record in October 1980, Von Borries wrote, "Niatross appealed to all that is good and noble and decent in life itself. In an age of antiheroes, he had resurrected the rare personage of a true hero who could endure and overcome all challenges," and later, "He had reaffirmed basic human values, exalted the beat of life, and sanctified the pursuit of excellence. Freed temporarily from our natural reserve, we dared to live and dream" (193). There are similar overblown tributes to racers Holy Bull and Dr. Fager. Too much personification of horses deserving credit as fast runners, but not as miracle rainbow makers representing all that is right and good and almost Godly in humanity. Moreover, he does the same with his human protagonists, often making them almost cherubic. The world, its people, and its horses are just not that glowing. A little more realism, a little more reality in his humanoid horses and his human heroes would serve well.
Still, Von Borries's stories are easy and enjoyable reads. Most represent an enjoyable trip into horseracing history from more than a century past to the present.
An Informative and Enjoyable ReadSome of Von Borries's stories are not stories. Instead, one is a list of humorous horseracing expressions and another a two-page glossary of horseracing terms. Yet another is a catalog of 100 horseracing films, including Von Borries's top ten and ten more given honorable mention, and another is a list of black horsemen and the Triple-Crown races they have won as either jockeys or trainers. In several tributes, Von Borries introduces his protagonist with background data before getting to his horseracing feats. For example, in "The Wizard of Orleans," about horseracing photographer Louis Nevin Hodges, Sr., Von Borries tells us early that Hodges, age 70, is mild mannered, represents goodness, but is not ordinary. Further, he tempts us when he tells of his visit to Hodges's den, "lined with pictures of the most famous racehorses in American racing history, a mere sample of what passed through his lens from the late 1940s to the early 1980s" (44). By the time Von Borries finishes his pre-story buildup, we want to know how Hodges achieved horseracing fame between the late 1940s and early 1980s, and the author does not disappoint. But don't expect detail. Von Borries's short stories provide only biographical sketches with the brunt of his coverage related to his subject's major achievements in the world of horseracing. Background buildup is a strategy employed often and successfully by Von Borries.
Another strategy Von Borries employs, even if unwittingly, is to explore the variety of horseracing history. His essay, "War and Peace," is about how Civil War Union General Philip Henry Sheridan, the first president of old Washington Park Racetrack in Chicago, helped limit the devastating Chicago fire of 1871 with fire breaks. The horse industry's tribute was to name a race, the Sheridan Stakes, after the general in 1884. The race has been an annual event since. Von Borries also includes several biographical sketches of black horsemen prominent in the late 19th- and early 20th-century. "Cruising Past 7,000 and Climbing" furnishes biographical sketches of eleven trainers with 3,000 or more wins to their credit, and "Giant: Cigar's Win streak" includes capsule histories of the 23 American thoroughbreds with the longest winning streaks dating back to the 18th century.
If there is a weakness in Von Borries's enjoyable writing, it lies in the sameness and overzealous nature of his tributes. For example, when the standardbred, Niatross, broke the one mile pacing record in October 1980, Von Borries wrote, "Niatross appealed to all that is good and noble and decent in life itself. In an age of antiheroes, he had resurrected the rare personage of a true hero who could endure and overcome all challenges," and later, "He had reaffirmed basic human values, exalted the beat of life, and sanctified the pursuit of excellence. Freed temporarily from our natural reserve, we dared to live and dream" (193). There are similar overblown tributes to racers Holy Bull and Dr. Fager. Too much personification of horses deserving credit as fast runners, but not as miracle rainbow makers representing all that is right and good and almost Godly in humanity. Moreover, he does the same with his human protagonists, often making them almost cherubic. The world, its people, and its horses are just not that glowing. A little more realism, a little more reality in his humanoid horses and his human heroes would serve well.
Still, Von Borries's stories are easy and enjoyable reads. Most represent an enjoyable trip into horseracing history from more than a century past to the present.

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The Racing Bike Book
Most useful
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A "must" for all auto racing fans!
Racing's Best

Getting in touch with the author, Kate Fox
Anthroplogical Review
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Another Wonderful Book by the Late Jim BolusIncluded in this volume is a chapter on Flip Sal, a horse who was injured in the centennial running of the Derby in 1974, another on Sir Barton, the first Triple Winner, one on Northern Dancer (1964), a chapter on the 1957 Kentucky Derby in which Bill Shoemaker misjudged the finish line, and who could forget to read about Silky Sullivan?
Your racing library would be incomplete without the Bolus series.
Rich in history...

DeCapite...thundering downThis is the way of Michael DeCapite. How he moves through the telling of what he sees. Life as it is, with no embellishment. Slow mostly. Mostly time passing...
DeCapite is to writing what baseball is to sports-deceptively simple, slow, quiet, an expanse of green spread out under sun or lights, a few players...waiting...most of them. Men returning to the field daily, doing it again, waiting it out. A field so perfectly laid out that the deeper into you get, the more you realize the perfection of the game-from the precise incline of the pitcher's mound, adjusted over the years to most evenly match pitcher and batter-to the distance to dead center-it all matters...quietly...it's all headed somewhere. And there is so much going on in any given moment that you can scarcely take it in. This is DeCapite on the page.
Sitting Pretty is a quiet story. Seven men spending an afternoon together, old friends, one of them dying, his grown son too 'slow,' too 'troubled' to realize. "Those doctors know what they're doing. They're scientists. My dad was sick but he went to see the doctor. They can do anything. The doctor gave him some pills, he's better now. Aren't you, Dad? Hey Dad, you're my sunshine, right?"
Gambling, drinking, cancer, oppressive heat, loss, the horses barreling down the stretch for home...all this hanging from the afternoon sky, while downstage, seven lives move tenderly through another couple of hours. So quietly you might miss it if you didn't know where to look. A father's hand on the back of his son's neck. The whole world is in it.
DeCapite traffics gracefully in the realm of the overlooked - here in Sitting Pretty and in his novel Through the Windshield. I hope America doesn't overlook Michael DeCapite.
Sitting Real
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Excellent Reference For The Slot Car Enthusiast
Great Book
This book has been one of the best of my many purchases.
My one regret is that I didn't have this book much earlier; I very nearly did, but when I began my project, "Race and Rally Car" looked wrong to my novices' eyes. I hadn't realised then that my planned sportscars were so closely related to Formula racecars in all their systems and dynamics.
Now, with the benefit of my researching/learning experience, I am able to appreciate just how valuable a source Mr Staniforths' book is!
This is a truly great picture/storybook for us petrol-heads, a practical guide, and a comprehensive reference, all based on the authors' own extensive experience as a race-car designer, builder, and driver.
Those years of hard-won experience left an empathetic awareness of the broad-ranging requirements of a novice. He has created this book with just the right mix of wit and serious technical detail to inspire and encourage the reader with doubts about their own ability to "give it a go".
It encompasses all that is important in building a fast sports or racecar, thoroughly covering topics like planning, design, building techniques, technology, testing and development. It features excellent illustrations, really inspiring photographs, and includes historical and anecdotal material of considerable value to any aspiring Murrays, Tauranacs or Schumakers among us. There is also a detailed source-index to other authoritative sources for more complete descriptions of processes that have been, of necessity, only lightly dealt with here.
Overall, it's an enjoyable read and a sound investment. I suspect that the more sophisticated features of my ultimate design will owe more to this than any other single book.
It deserves a place in your library.